Friday, January 10, 2020

“A Little Bit of Pleasure for the Guilty Pain” – BDSM Lyrics in the Work of Prince


This post is brought to you by Darling Nisi, A Purple Day in December's first-ever guest writer. It's impossible to study Prince's spirituality without also studying his sexuality. - Erica 



“We don’t care about what you know, but what you’re willing to learn. You must surrender your expectations …” – Prince, Hamburg, Germany (2002)


What comes to mind when you think of BDSM? Something taboo? Something shameful? Something naughty?

It’s a term that brings out a lot of thoughts and a lifestyle that is misunderstood by many.

BDSM is an acronym that refers to a specific type of erotic behavior or play, that may involve any of the following: bondage and discipline (B&D), dominance and submission (D&S), and sadism and masochism (S&M).

But what does that really mean and how does all of this work?

Being intimate is always a vulnerable space to exist in, even more so when you’re operating outside of “common” rules. Those who seriously dabble in the kink lifestyle place high regard in trust, communication and enthusiastic consent when exploring emotional and physical boundaries with their partners. Despite what most think about BDSM, it’s much more than whips and chains! There are specific, agreed upon rules for the safety and comfort of participants, and the play is as much of a mental dance as it is a physical one. Sometimes, it isn’t physical at all! In a way, it can be a method for people to work through their anxieties in a safe space and to grow in confidence and in the expression of their authentic selves.

Imagine feeling free of judgement of your most closely held desires and fears. Imagine being totally open to experience all the sensations and emotions life has to offer. Imagine exploring the breadth of those human emotions, expressions and sensations within boundaries you’ve set with someone you trust with your body and mind.

We don’t have to imagine too much; this exploration is peppered throughout Prince’s discography. Over the years he has dabbled in BDSM ideas, maturing in the depiction of its concepts as he aged.

Below are some examples.

(Note: The year listed is when the song appears on an official album or release.)

“We’re going to do things a little different tonight. You don’t like it the same, do you? You want surprises, right? You want surprises in your love life. ... I love you. Do you love me?” – Prince, Louisville, Kentucky (2002)

Sadism: the tendency to derive pleasure, especially sexual gratification, from inflicting pain, suffering or humiliation on others.

Soft and Wet (1978)

Hey, lover, I got a sugarcane 
That I want to lose in you 
Baby, can you stand the pain?

Automatic (1982) 

Yes, I’m addicted to your pleasure 
Yes, I’m addicted to your pain

Strange Relationship (1987) 

I guess you know me well, I don’t like winter 
But I seem to get a kick out of doing you cold

Elixer (2009) 

You can fight in vain 
I'm gonna have my way all night and all day 
Seven tears fall like rain in between the joy and pain 
Oowie, baby

Pheromone (1994) 
*This whole song is a fully thought out BDSM scene

I can feel the tension through the crack in the door 
He begs for love, while she's disgusted more 
And I'm on fire, 'cause I've never seen her nude before 
I wanna save her 
I want to watch 
All my vital signs go up a couple of notches 
When he unties her and she runs for the open door 
He trips and grinds her 
Right there all on the floor 
She's so close I can touch her

Sensation play: pushing sensory limits, thus exploring texture and sensory deprivation through whips, flagellation and edgeplay (a more extreme form of BDSM).

Sister (1980) 

I was only 16 and only half a man 
My sister didn’t give a goddamn 
She only wanted to turn me out 
She took a whip to me until I shout 
Oh, motherfuckers just a motherfucker, can’t you understand?

Automatic (1982)



Ripopgodazippa (1998) 

Instead of walking inside I just knock on the door 
I take a look around until she beggin’ me more, more, more 
When I finally come inside I’m standin’ perfectly still 
"I can’t take no more"
Pump you then I will

Breathe (2002)

Passionate fashion of tongue that keeps lashing 
On skin like a whip, ooh breathe in, breathe out 
Slowly, slowly, ooh

Bondage: The practice of tying, binding or restraining a partner for erotic, aesthetic or somatosensory stimulation--with consent. 

Superfunkycalifragisexy (1988)

If you do too much, your skin will be sensitive to touch 
The first person to touch you, you want to fuck 
You take them to your crib and you tie them to a chair 
And you make funny faces ‘til they get real scared 
Then you turn on the neon, then you play with yourself 
‘Til you turn them on

Sexy MF (1992) 

We need to talk about things, tell me what ya do 
Tell me what ya eat, I might cook for you 
See it really don’t matter ‘cause it’s all about me and you 
Ain’t no one else around 
I’m even with the blindfold, gagged and bound 
I don’t mind, see this ain’t about sex
It’s all about love being in charge of this life and the next

Eye Hate U (1995) 

I’d like to have the defendant place her hands behind her back 
So I can tie her up tight and get into the act 
The act of showing her how good it used to be 
I want it to be so good, she falls back in love with me

1000 X’s and O’s (2015) 

I wanna hold you, tie you up in lace 
I wanna kiss you, kiss you all over your face 
I wanna love you all up and down 
Give you love like you never had
Blindfold, gagged and bound

Dominance and Submission: a set of behaviors, customs and rituals involving the submission of one person to another in an erotic episode or lifestyle.

The Continental (1992) 

Shall I write the alphabet?
Or shall I just write my name? Why?
You tell me, you're the ruler in this telephone game 
I could be a slave when it comes down to you 
I'll do any and everything you want me to do 
U know why? 
'Cause I want you to have fun 
So how you wanna be done?

Sexmesexmenot (2004)

Black pepper, grind you please 
Make a brother happy 
Where? 
On your knees 
Ho ho ho ho
Sex me
Hold me tight, choke the bird 
Sex me 
Choke it

Kept Woman – Bria Valente, written by Prince (2009)

Was it his cologne or the style of his hair 
They told me I should stay away and not go there 
Sometimes I'm all alone and don't see him 
I wish it was different but I don't care 
I'm a kept woman 
He don't see nobody but me 
We got a pretty little house 
And only me and him got the key 
A kept woman 
Sometimes I don't know why 
A kept woman 
Sometimes I cry

He likes it when I dance for no reason 
He likes it when I dance 
But he doesn't like it when I raise my voice to him 
I try to stop but I can't …

He's the hotness in my fire
I give him anything he desires 
It may sound crazy but it suits me fine 
'Cause ain't nobody ever take away what’s mine 
'Cause I'm a kept woman 
'Cause he's every single thing I need 
Spiritual, physical 
Kept woman 
Chemical, emotional 
And everything in between 
Don't you know that I’m a kept woman 
Ooh, loves me like no other 
A love you never seen
I'm a kept woman 
And I'm his queen

Gun Play: the act of using either a loaded or unloaded firearm during BDSM and sexual play. 

Pheromone (1994) 

I can see the curtain wrestled from the wall 
I can see her hands tied, I can see it all 
He pulls a gat 
This is how they play the game 
And I'll 'round the back 
'Cause curiosity, it knows no shame

Her eyes are closed but there's no penetration 
He just makes her point the pistol to his nose while he masturbates 
And now I see a tear heading down towards her smile 
What happens next, it all depends upon your style

Honorable mentions:

S&M Groove (2004) 

Sadomasochistic groove 
Freaks gonna bob 2 this 

Here Eye Come – Bria Valente, written by Prince (2009)

Don't ever stop what you're doin' 
Oh, I feel like that dirty blonde girl in "9½ Weeks"* 

*9½ Weeks is a 1986 film starring Kim Basinger that depicts a sadomasochistc affair 

“Feel ashamed and ordained …” – Prince, "When Eye Lay My Hands on U" (2004)

Prince once noted that his most erotic material was in his vault, but we see that he shared quite a few special moments over the course of his career. There is sometimes an assumption that sexuality presented in these taboo ways is shameful or not becoming of what Prince represented. However, looking past BDSM stereotypes, one can see that this lifestyle is very much about the freedom to explore the limits of human expression without judgement. It’s an opportunity for people to be their whole selves with people they trust, and that can be a spiritually ecstatic and deeply intimate experience no matter how sexuality is expressed.

These BDSM themes and other erotic and fetishistic explorations quite literally span from Prince’s very first album, 1978's For You, to his last, 2015's HitnRun Phase Two. They even still show up during his spiritual walk in the Jehovah's Witness faith. Check the last bit of "Mellow" from The Rainbow Children for his offer of musical accompaniment for your “personal time;" or the bridge of "Incense and Candles" from 3121 for what he wants to smother you with; or what’s buried in the mix in the bridge of "This Could Be Us" from Art Official Age for what he would like to clean, how he would do it and what you can look for in your gratitude for said cleaning; or "Xtraloveable" from HitnRun Phase Two for how he'd like you to dress while dancing. Perhaps it is worth considering that even his most “taboo” songs are not out of character for his creative expression at all. Instead, they are examples of how Prince’s work documents the full range of human intimacy.


Keep up with Darling Nisi 

Podcast: Muse 2 the Pharaoh
Tumblr: darlingnisi.tumblr.com
Twitter: @darlingnisi
Instagram: @darlingnisi

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Friday, January 3, 2020

"Will Anybody See the Dawn?" - "Signs of the Times" Magazine

Image of "Signs of the Times" magazine
March 1987 issue of Signs of the Times magazine.
Photo courtesy of Pacific Press Publishing Association. 

Rule #1: Never assume Prince read something.

Rule #2: Never assume Prince didn't read something.

Rule #3: Never assume what Prince read had an impact on his music.

Rule #4: Never assume what Prince read didn't have an impact on his music.

All of that is to say this post is all in good fun. The above is a screenshot of the March 1987 issue of Signs of the Times, a monthly Seventh-day Adventist magazine. The publication has been around in different formats since 1874.

Prince grew up attending Seventh-day Adventist church services, and he released his Sign O' the Times album in March 1987.

I thought it would be fun to take a look at the issue of Signs of the Times that came out at that time to see if there was any coincidental overlap in subject matter. After examining the titles of the feature articles--"How would the Founding Fathers feel about the trend of religious and political leaders switching roles today?"; "Solving the Problem of Heartache;" The Menace of Midtown Memphis"--I didn't find any common ground. But then again, I don't know anything about the actual content of the pieces.

I can, however, hear Prince imitating Thomas Jefferson in my head.

Of course, I know Prince completed the album before this magazine issue came out, and I wouldn't guess he was reading the publication at the height of his superstardom in the 1980s.

But I think it's reasonable to speculate that Prince was exposed to Signs of the Times as a child. I might reach out to the church he attended to see if they were passed around in the '60s. I know the "signs" of end times is a subject found in the Bible and the phrase "sign of the times" is common in American language, so I'm not implying Prince got his album title from a niche publication.

But you have to admit, it's an interesting little ripple in the deep well of Prince's spiritual world.

Now, the Jehovah's Witnesses' Watchtower magazines have had an obvious impact on Prince. We'll get to those before long.


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Wednesday, January 1, 2020

"The Year is 2020" - New Podcast with Scott Woods

Writer and Prince scholar Scott Woods and I finally decided to record one of our Prince conversations. We figured New Year's Day was a great time because Prince recorded a song called "2020" in 1995. On this first episode of "The Purple Canon," we discuss the song and other themes, like Prince's spirituality and use of space in his music. Enjoy!







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Friday, December 20, 2019

"Style" - My Favorite Prince Looks

"On a normal day, I'm clean." - Prince to Oprah, 1996

Photo by @darlingnisi

Prince was a master of music and fashion. He was known to flip through many a fashion magazine, and was fearless in experimenting with new looks. He talked about the way he admired his parents' sense of style in his memoir, and once told a colleague he'd made a vow as a child to always dress well as an adult.

Below I've shared just a few of my favorite looks.

1) "Blindfold, gagged and bound"

via GIPHY

via GIPHY

via GIPHY

Other:

"Somewhere Here on Earth" video 


2) "Wait a minute. I can play that kind of music, too."


via GIPHY

3) "Vanessa sweatin' me in my typhoon." 


via GIPHY

4) "Tell me which dress you chose so I can put on my matching suit." 


via GIPHY


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Friday, December 13, 2019

"Turn It Up" - Podcast Appearances


*Updated February 2022

I keep a running list of all my interviews in one place. I decided to do the same for my podcast appearances. It keeps me organized and allows new blog followers to catch up.

I'm so grateful for these opportunities! It's always fun talking about the Purple One.







Press Rewind: A Prince Lyrics Podcast 







Prince: Track by Track





















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Friday, December 6, 2019

"Purple Paradise" - Prince Quilt Exhibit Coming to Ohio

Quilt by Lisa Wiedel (Photo courtesy Cherrywood Fabrics)

From conception to the final stitch, it only took Larry McKenney 12 hours to complete his quilt honoring Prince.

"I was thinking about his different songs, and one of my favorites that he did was 'When Doves Cry,'" said McKenney, a 73-year-old resident of Villa Hills, Kentucky. "I used that theme and I decided to do a portrait of him playing his guitar and a dove in the corner with tears coming out of it. [I wanted] to capture that feeling of sadness that he had in the song."

McKenney's quilt will be featured alongside approximately 80 others as part of the "Prince Tribute Tour," a free, traveling exhibit. It will be on display in Cincinnati on Dec. 9 - 22 at The Barn, a space managed by The Woman's Art Club of Cincinnati. (Artist Rick Metz's custom-made guitar furniture will also be on display.)

"I used to listen to a lot of his music," said McKenney, a retired teacher and respected quilt artist. "I liked to keep up with what my students were involved with and a lot of them liked his music. So I said, 'OK, I've got to find out what this guy's about.'"

Quilts by Kimberly Wilson and Laurie Ceesay (Photos courtesy Cherrywood Fabrics)

The exhibit is sponsored by Cherrywood Fabrics, a textile company in Baxter, Minnesota, that specializes in unique, high-quality, hand-dyed fabric. Since 2014, it has hosted public quilt challenges based on themes ("Wicked," "The Lion King," "Van Gogh" and "Bob Ross"). Participants must work with a limited color palette and construct small quilts (20 inches long, 20 inches wide). Independent jurors select finalists and winners.

The challenges have gained international recognition, with the quilts being displayed everywhere from the Minskoff Theatre in New York to quilt shops in Canada.

"We are really proud of how this challenge has grown over the last few years," said Donna Anderson, show coordinator for Cherrywood Fabrics. "The creativity and the inspiration that people have come up with to make these quilts are nothing short of stunning."

For the Prince challenge, contestants were asked to use the artist's work and image to "push themselves creatively" and "think outside the box." They were instructed to use purple Cherrywood fabric, known as "The Prince Bundle," for 70 percent of the quilt.

The owner of Cherrywood Fabrics, Karla Overland, was planning to feature Prince for a while, according to Anderson.

"Because Paisley Park is in the Twin Cities area, we felt that it was an important challenge that we should put out to the public," Anderson said. "We did hear some feedback that some people were not a fan of that particular artist, but that's OK because we drew in another group of maybe younger people that took part in the challenge. So, overall, we felt that the challenge was well-received."

The contest received nearly 400 submissions, which were narrowed to 165. Several winners (first place, second place, third place and special categories) received Cherrywood gift cards as prizes. The finalists were divided into three tours--the "Prince Tribute Tour," "Prince Live Tour" and "Prince Home Tour"--hosted in the U.S. and beyond.

The collection includes impressive images of music notes, doves, raspberry berets, little red corvettes, guitars, keyboards and, of course, Prince and his symbol. (Unfortunately, the quilts aren't for sale at this time.)


Susan Austin is responsible for bringing some of the Cherrywood tours to The Barn, where she is a volunteer coordinator for the Fiber Arts program. She taught art classes and sold potholders--including purple ones in Prince's honor--to raise money for shipping and rental costs.

"My whole goal is to share my own personal love for fiber, for art and for making things out of a ball of yarn that are amazing," said Austin, who will bring part of the "Bob Ross" collection to The Barn in November 2020.

To enhance the experience, Austin curates soundtracks for each exhibit. On Dec. 5, the Woman's Art Club Cultural Foundation sponsored a preview party for the "Prince Tribute Tour," complete with music, hors d'oeuvres and purple cocktails.

Austin said Prince's song "1999" is one of her personal favorites. 

"I bet I'm the only one that doesn't love the song 'Purple Rain,'" she said. "I mean, who can't 'party like it's 1999' when you hear that song? It's so happy and fun."

While The Barn is the last stop on the "Prince Tribute Tour," Anderson said there's a "real possibility" all of the Prince quilts will be displayed at Paisley Park--two hours from Cherrywood Fabrics--in the near future.

In the meantime, quilting enthusiasts can try their hand at the next challenge, inspired by Princess Diana. And beginners are welcome.

"We encourage you to try it because we've had people that have tried it for the first time and they've actually won ribbons," Anderson said. "Don't be afraid of it."

Quilt by Sue Johnson; Larry McKenney (Photos courtesy Cherrywood Fabrics and Susan Austin)

But the accolades aren't important to McKenney, who also participated in the "Van Gogh" and "Bob Ross" challenges.

"I'm always excited just to get a piece accepted," he said. "I don't care about winning awards. ... It just makes me feel honored that they have so many entries, and that mine was judged good enough to be in the show."


The "Prince Tribute Tour"
Dec. 9 - 22, 10 a.m. - 5 p.m. Monday through Friday; 1-4 p.m. Saturday and Sunday
6980 Cambridge Ave. 
Cincinnati, Ohio 45227 (turn off Plainfield Road)

The street is residential and parking is free. The exhibit is on the second floor and the building is wheelchair-accessible. Visit www.artatthebarn.org for more information.


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